Monthly Archives

August 2017

In Decor, Travel on
August 28, 2017

The Lindens: Washington, D.C.’s Oldest Home


If you have a heart for historic homes that have been saved from the wrecking ball, The Lindens mansion will certainly charm you. It now sits on a large lot in the fashionable D.C. neighborhood of Kalorama but was originally built in Davers, Massachusetts in 1754. Read on to find out how this 263-year-old Georgian became D.C.’s oldest estate, painstakingly moved and restored by a couple dedicated to history and preservation.

Grand Beginnings

Originally built as a summer home for successful merchant Robert “King” Hooper, the home boasted all the bells and whistles of an ornate Georgian. “The Lindens,” as it became known locally, was named for the Linden trees that lined its long drive. Over 200 years later, Mr. Hooper’s mark on the property can still be seen where a musket shot hole (meant for him!) remains emblazoned in the front door. He was a British sympathizer before and during the Revolutionary War and was lucky to make it out alive before the house was given up to creditors.


Incredible original details on the stair railing give a sense of how fancy Mr. Hooper had envisioned his summer house to be. Image via Gibson Builders.

The Lindens mansion passed hands a few times and was even a boarding house at one point before being purchased in 1860 by Francis Peabody Jr. who added a kitchen wing, sun porch and the incredible French wallpaper you’ll read all about in just a bit. After the passing of Mr. and Mrs. Peabody Jr., the home was in a state of deterioration and in 1933 was snatched up by two notable antiques dealers for $10,000 with designs to sell it off room by room. In fact, they sold the downstairs paneled drawing room to the Kansas City Museum; you can see it on display at the renamed Nelson-Atkins Museum of Art today. As if summoned from the historic home heavens, Mrs. Miriam Morris heard of this incredible Georgian being torn apart in piecemeal fashion and saved it in 1934 with $12,500. She and her husband George had much different designs for this relic of early American architecture.


The original French wallpaper Mr. Peabody Jr. had installed leads the way into the dining room.

A Roving Restoration

Miriam, a fertilizer heiress, had a great passion for antiques and architecture, eventually becoming the only woman to serve on the State Department’s Fine Arts Committee. She and Mr. Morris had been on the hunt for a classic Colonial home to showcase their vast collection of early American furniture and treasures. That it was in another state was but a small inconvenience. They enlisted the help of Walter Mayo Macomber, resident architect of Mount Vernon and historic Williamsburg to oversee the tricky task of moving The Lindens. It was dismantled, each piece of lumber and glass numbered, packed in 5 boxcars and sent on its merry way to Washington. The rebuilding of The Lindens would take 30 months to complete.


The regal pilastered living room is anchored with Georgian and Charles X antiques sitting pretty on a Sultanabad carpet.

The home was kept in 18th-century tradition by Mrs. Morris, electrified wax candles illuminated every room and stacks of faux book spines and antique boxes hid modern amenities such as phones and radios. Macomber persuaded the Morrises to have updated bathrooms added in closets once used to powder wigs. The third-floor bedroom suite has one panel of original plaster that was kept with a child’s handprint happily stamped on the wall. This is the floor where their young son lived and football playing was permitted!


12-foot ceilings and an ornate fireplace make this bedroom feel grand. The green and white quilt is my favorite touch!

Mr. and Mrs. Morris relished in entertaining at The Lindens with over 60,000 visitors enjoying an invitation during their ownership. Home tours that took one back 200 years with Colonial fare, tartan hoop skirts and a gaggle of Junior league ladies reciting the provenances of the Americana furniture were commonplace. Gatherings for private guests including diplomats, First Ladies and other Washington heavyweights have historians wishing that the walls could talk.


With its original paneling and floor-to-ceiling bookshelves, the library is a neutral confection.

After Miriam’s passing, the home and all of its treasures were offered tout ensemble to the Smithsonian but without an endowment attached, it was turned down. The entire collection of Queen Anne and Chippendale style antiques from the Morris era was sold at auction through Christie’s and fetched $2.3 million in 1982.


A large bedroom mixes period antiques with crisp upholstery. The Pennsylvania quilt at the foot of the bed is circa-1875.

The Decorated Georgian

Gibson Builders was retained by the new owners, the Bernsteins, in 1983 and asked to complete a new renovation on The Lindens in 90 days or less. The labor included hand scrapping and Tung oiling 10,000 square feet of original wide plank flooring. Central air conditioning and modern plumbing were added while the kitchen was rebuilt. Historic detail fencing was replicated in Azek and the home was painted with period-accurate colors inside and out. The Bernsteins would enjoy the home for 22 years before listing it. Enter the current residents who took one look at the 12-foot-wide Palladian center hallway, 12-foot ceilings and ornate fireplaces and knew they were home.


Modern marvels like a Sub-Zero refrigerator and Howard Kaplan Designs light fixtures play nice with Windsor chairs by Woodard & Greenstein.

Wanting to keep the historical integrity of The Lindens while making it a livable space became their top priority. The edited elegance of interior designer Mariette Himes Gomez was called upon and she decked out The Lindens in high historic style. She took her cue from the vivid wallpaper and created a rich yet understated palette throughout. As to not detract from the exquisite architectural details, Mariette anchored spaces with period Georgian furnishings and kept traditional drapery in the living and dining rooms.


Panoramic wallpaper is complimented by a Manuel Canovas fabric covered sofa and English huntboard.

Hand-blocked Dufour et Leroy wallpaper featuring “Les Incas” and “Telemaque dans l’Ile de Calypso” on the walls of the two-story stair hall set the tone for the whole home’s design. The scenic panels were designed in Paris in the 1800s and were steamed off of the walls in Massachusetts and rehung seamlessly in their new D.C. digs.

She explains that the saturated historic hues painted on the walls of The Lindens were meant to be seen by glowing candlelight and can be garish by electric lamp. Gomez remedied this by subtly toning down the colors like the sublime light blue she chose for the dining room. And what a room to dine in! 


A vision in blue! Drapes in a Rose Cumming fabric, a circa-1880 George III-Style chandelier and an antique double-pedestal table make a splash.

Old houses with a story always captivate me; I hope you enjoyed taking a virtual tour of The Lindens as much as I did! If you’ve been one of the lucky 60,000 plus visitors to go inside this exquisite estate, please do share every last detail…

All images via the February 2014 issue of Architectural Digest.

P.S. Aching for more historic grandeur? Tour this Savannah Stunner or this swanky NYC apartment.

In Entertaining on
August 16, 2017

Sweet Corn Gazpacho: A Late Summer Staple


If you’re like moi and haven’t wanted to go near the oven this month, I’ve got a savory treat for you! I must admit that I’m not the biggest fan of the traditional tomato based gazpacho but I do relish in a no-fuss chilled soup. This sweet corn variation only requires raw vegetables (roasting be gone!), a few spices and a food processor or blender. It is très delicious and perfect for making ahead of time.

It is pretty enough to plate for a luncheon or dinner party and easy enough for a quick weeknight supper. Vegan? This sweet corn gazpacho can easily be adapted to your plant-based needs. At six and a half months pregnant, I can’t say no to any indulgences so I make mine with heavy cream and garnish with a smidge of feta cheese. So without further ado, sharpen your knives and let’s get to the gazpacho!



serves 5

4 ears of raw sweet corn, dehusked

1 can of white beans, rinsed

1 yellow pepper, deseeded

1/2 of a shallot

2 cups of yellow or orange tomatoes (I use the small grape variety)

3/4 cup of heavy whipping cream  (can be substituted for unsweetened almond milk to make vegan)

1 lime, juiced

1-2 cloves of garlic

1 tsp of ginger powder

Salt and cracked pepper to taste

1/4 cup of water if you prefer a thinner consistency

Garnish options: cilantro, drizzle of olive oil, feta cheese

  • Place all ingredients, except garnishes, in a blender such as the Vitamix. Puree until your desired consistency is achieved. I use a food processor (two batches, one at a time) and since I like my gazpacho almost silky smooth, I run each batch through my Nutribullet after it is done in the food processor.
  • Chill for about an hour and serve cold. Garnish away!

Adapted from Linda Wagner.

PS Wondering what to serve this gazpacho with? Hint, hint this delish Asparagus Tart!

In Art on
August 9, 2017

Muffy the Curator: Punchy Hued Edition

Hello dears! Today I’m sharing some fabulous fine art pieces worth pining over. Collectively, they run the gamut in medium, genre, price point and even the century they were painted in. Something for every wall, non? I’ve had bright colors on the brain so it’s no surprise these picks are big on the bold factor. See something you like? All of them are available for sale!


Paul Brown, Goal Miles- 1st Period, 3rd Game, colored pencil over paper, heightened with white, 10″ x 10.5″ 1928.

A special piece from late equestrian artist Paul Desmond Brown’s smashing series International Polo Argentina vs. USA (Copa de las Americas). All the works in this series are teeming with excited energy and have a well manipulated palette. I am especially drawn to this one, available from Chisholm Gallery here.


Susan Vecsey, Untitled (Orange/Pink/Gold), oil on linen, 38″ x 30″ 2016.

The investment abstract! A soothing composition that you could stare at all day from artist Susan Vecsey. All her pieces are soft but extra striking; the perfect combination in my book. You can see her work in person at the Sag Harbor Library through September 4th or catch her solo show in Jackson Hole, Wyoming hanging at Tayloe Piggott Gallery through September 30th. (Estimating by another piece of hers that’s similar size wise, this particular work is most likely around $16,000) Care to know more about Untitled? It is available on 1st Dibs through Berry Campbell Gallery.


Mary Rountree Moore, Time for Fun! oil on canvas, 48″ x 48″ $6,800

The title of this next work says it all, it’s just so fun! Vacillating between the realism of a landscape and the deconstructed nature of an abstract, this colorful beauty is exquisitely eye-catching. You can find this Moore majesty at Blue Print in Dallas, I’m so impressed with their roster of artists.


Jen Garrido, CS Study-2, mixed media on paper, 13″ x 12″ $360 2017

It was love at first sight when I spotted a Jen Garrido abstract while browsing through Pinterest one evening. I immediately went to her website and was pleased to see she had a bevy of her geometric yet fluid works on paper for sale. If you’re looking for a large scale work for a space but don’t have thousands to plunk down for a big canvas, consider a series of works on paper. A grouping of four or six with fabulous frames can have just as big an impact visually.


Mike Ludlow, Only Ballantine Ale Brews “Brewers Gold,” ad illustration, gouache on board, 20″ x 17.5″ ca. 1957

Adding a touch of history to your home with an older work is so charming. This grown-up Norman Rockwell meets Pop Art piece would be perfect over a bar and can be counted on to be quite the conversation starter. It is available on ArtNet via Robert Funk Fine Art, price upon request.


Gina Julian, Sunshine Dust I, acrylic on acid-free paper, 17″ x 22″ $75

There’s something so gleefully modern about Gina Julian’s artwork. I’ve been a fan for a couple of years and I’m just smitten with her larger op-art pieces. Bring the sunshine in with a couple of these superbly priced works on paper flanking a set of nightstands or add this lone lovely to your gallery wall. Snap it up here while you can!


Shara Hughes, Leaky Toilet, oil on canvas, 56″ x 70″ estimated at $8,000-12,000 2005.

If you’re looking for funky, bold and different, this Shara Hughes work delivers! Featured on the cover of the Christie’s First Open auction catalog, I’m sure it has sold but I can’t confirm. The First Open: Post-War & Contemporary Art sale is Christie’s answer to burgeoning fine art collectors looking for investment works that are tangible. The sale mixes “affordable” contemporary pieces curated with Post-War work from the biggest names in art. 


Kelley Ogburn, Figure VI, mixed media on paper, 10″ x 7″ $300

A good figure is hard to come by, pun intended! You don’t need to cut out carbs to have a magnificent one looking back at you everyday, just hang this one in your powder room. Kelley Ogburn’s works are a total treat, see for yourself here. I really enjoy her mix of mediums and strong compositions; her figures are a sight to behold in person.

Thanks for indulging my punchy hued art round-up! I’ll be donning my Muffy Curator hat more often so if there’s anything in particular you’ve been searching for, let me know.